With the homage “Oskar Werner – Uncompromisingly into Rebirth”, Bernhard Dechant and Sophie Resch have created a provocative and profound theater piece that not only functions as a tribute to the artist Oskar Werner, but also as a keen analysis of Austrian culture.

The production, performed at the Odeon in the “Spitzer” restaurant, is currently nominated for the renowned Nestroy Prize and offers viewers a blunt look at the social role of alcohol.

A homage that derails – and makes you think

The piece is based on Dechant’s ten-year artistic examination of Werner’s legacy. It combines quotes from interviews, video and audio recordings of the legendary actor with autobiographical elements from the director. The intense monodrama during the musical Sounds is supported by Stefan Sterzinger on the accordion. The piece is characterized by a bold narrative style that blurs the line between homage and sharp social criticism.

“I was allowed to sit at the table of the gods,” a well-known quote from Werner, becomes the leitmotif of the production. It reflects not only the artist’s superiority, but also the fine line between genius and self-destruction. The play challenges the audience to come to terms with the popular drug of alcohol, which is deeply rooted in Austria and is both socially accepted and often ignored.

A piece with social EngaGemstone

In addition to the artistic level, the production also emphasizes a socially critical perspective. The voluntary donations, which are requested instead of entrance fees, flow into the project to support addicts and their families. This underlines the social claim of the piece and the relevance of the topic covered.

Bernhard Dechant’s performance as the central character is breathtaking and deeply honest. His confrontation with his own past and the examination of Werner’s path in life make the evening an intense experience. Sophie Resch, co-responsible for directing and writing, contributes a clear dramaturgical line that captivates the audience and at the same time invites reflection.

A new form of theatrical art

The production impresses with its non-conformity and its courage to reveal unpleasant truths. As critics point out, Dechant and Resch succeed in creating “a trend-free evening” that impresses not only with its content, but also with its unconventional implementation. With this nomination for the Nestroy Prize, the piece joins the circle of the most extraordinary productions of the year.

“Oskar Werner – Uncompromising into Rebirth” runs night until December. For theater lovers and those interested in society alike, it is an impressive opportunity to engage with a mixture of biographical theater and contemporary social analysis.